ESTE LIVRO FALA SOBRE VÁRI0S ASSUNTOS,QUANDO VOCÊ ESTÁ NO RESTAURANTE,NO PARQUE,NO HOTEL...,E COM AS PALAVRAS MAIS ÚTEIS ,NESTE LIVRO VOCÊ ENCONTRA COMO PRONUNCIAR AS PALAVRAS INGLÊS.
This discography provides, for perhaps the first time, a complete numerical catalogue of Italian gramophone recordings made by the Gramophone Company Ltd. Kelly has effectively used the archives and registers of EMI Limited (The Gramophone Company) to offer a richly detailed picture of recording activity during the years 1898 to 1929. The Gramophone Company was established in London in 1898 and by 1899 six branches had been set up in Europe, among them Milan, Italy. In each branch, matrixes were numbered serially and coded to indicate recorder, making it possible to identify not only the first Gramophone record to be made in Italy--Bice Adami singing Voi lo sapete with piano accompaniment--but to follow the course of the company's activities. The main catalogue is divided into three sections: recordings issued on the Gramophone label; recordings issued on the Zonophone label, including the Trento-Trieste Supplement; and recordings issued on the Gramophone Green label. Most entries include the following information: the original catalogue number; the matrix (serial) number of the recording in its correct form; the date of recording; the name of the artist(s) involved in making the...
This workbook helps beginner and intermediate students learn the basics of Brazilian Portuguese, including nouns, verbs, and pronunciation; common words and phrases; reading and writing the language; having a conversation with a native speaker; and past, present, and imperfect tenses. Includes a CD of audio exercises and prompts, a Portuguese-English glossary, and useful vocabulary.
"Questionné et refaçonné par plusieurs artistes qui cherchent actuellement à le renouveler, le récit se présente comme un espace en transformation, où les limites de la fiction et de la réalité sont sans cesse rejouées. La relation texte ou son/image est questionnée, ainsi que le déroulement dans le temps. L'éclatement des frontières narratives vient ainsi bouleverser nos habitudes de perception. L'exposition raconte-moi réunit quatorze artistes qui ne cherchent pas nécessairement à représenter un récit ou à mettre en scène des histoires au sens strict du terme, mais à le produire en suggérant des atmosphères fictionnelles, en recueillant des témoignages réels, en explorant le potentiel narratif du quotidien réel. Les images présentées racontent certes des histoires, mais on ne les regarde pas forcément de la même manière qu'une narration au cinéma ou on ne les lit pas de manière linéaire comme un livre. Les possibilités de lecture et d'interprétations sont démultipliées." (source : site internet du Casino Luxembourg)
Recense les fonds du Grand Séminaire (avec le fonds de l'abbaye d'Alspach) et du collège Saint-Guillaume dit Séminaire protestant.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Giovanni Gabrieli (c.1555-1612) is the greatest Venetian composer of the late Renaissance, and one of the most significant figures of the period. Since the time when Richard Charteris was invited by the American Institute of Musicology to edit Giovanni Gabrieli's complete works in twelve volumes for the series Corpus mensurabitis music?, he has uncovered a considerable number of previously unknown works by this composer, and discovered a vast quantity of hitherto unknown sources of h is music. This thematic catalogue presents data about these discoveries and many others, besides collating an enormous amount of widely-scattered information. The catalogue covers: UL>l(1)the early music manuscripts and prints, almost all of which the auth or has consulted firsthand in collections in the northern hemisphere; /ll(2) a selection of modern music manuscripts;/ll (3) theplethora of modern editions and printed fragments; /ll(4) the sound recordings, including 78s, long-playing records and CDs; /ll(5) the relevant literature dealing with each work; /ll(6) the nature of the vocal texts and their use at St. Mark's; /ll(7) the doubtful and spurious works, among them pieces that are wrongly...
Mitos. Contos de antigas pelejas. O cíclo de vida. O pajé.
Intended primarily as a beginning language textbook in North American college classes, the descriptive comprehensiveness of A Portuguese Primer may also render it useful as a reference source for intermediate and advanced courses, and for scholars of other languages who may wish to familiarize themselves with Portuguese, the language spoken by almost two hundred million inhabitants of our globe.
Comprehensive edition regarding the first 5 multimedia installations as originally envisioned by artist Oiticica (b. Brazil) and conceived in collaboration with the filmmaker D'Almeida (b. Brazil). The Cosmococa photographic series consist of single rolls of film in accordance with the artist's concept of "quasi-cinema", participative spaces that transcend the cinematographic experience and call into question the contemplative nature of the art object and designed as collective experiences making the spectator an active participant. The present edition is faithful to the artist's original concept in it's presentation of facsimiles of both his notebooks in which the works were conceptualized and Oiticica's own typewritten transcriptions along photographs of installations recently mounted at the Pinacoteca de Sao Paulo and at the Centro de Arte Hélio Oiticica in Rio de Janeiro, two multimedia installations that precede the original photographs for Cosmacoca. The book also contains critical essays by César Oiticica Filho (curator of Projeto Hélio Oiticica), Paulo Herkenhoff and Kátia Maciel.
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